A deeply special story from one of the most famous European comic writers in Europe, how everyone who has found love, through all the troubles, will like it.
One summer evening on the evening of Fred zustriv Katya. Although the stench may not have been discredited, we have well remembered its subtlety and sideliness. For a lot of reasons, the stench starts up again, and this time the connection between them burns. If the mothers are serious, Katya is nervous, even though she is the one who is in the tritrical syn - VIL-infected. Extremely beautiful and carefully, Peters goes through the developments of their closeness and their hundred-days from the doctor, whose delicacy and versatility allow them to completely acquaint their passions connections.

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Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union. Neither the European Union nor the granting authority can be held responsible for them.

Despite this invisibility, Peters gives this quiet illness a powerful visual language, which comes across as red-colored, accessible, overflowing with humor. Describing his painful evidence of the worm's illness, the author reduces the strength of his bite. And the story is transformed into the original story of a young boy and a girl, whoever it is, every hour a rhinoceros appears.
https://www.theguardian.com

Translated from the French by Oksana Makarova
Literature editor Irina Nikolaychuk
Corrector Andriy Martinenko
Layout and literature by Katerina Bazarova and Igor Dunts
Technical editor Illya Strongovsky
Edition support Liliya Omelyanenko

About by:

Frederik Peters was born in 1974 near Geneva. From the very little boy, he habitually tirelessly re-read Erzhe's comics, choked up with the little one. Today Frederic Peters is considered one of the most talented and most successful artists of his generation. An elusive author who consistently rethinks life and creates a simple diet, works in various genres - autobiographical prose (“Black Walking”, “Oleg”), science fiction (“Lupus”, “Aama”), detective (“Oper”), western (“Smell”) starving lads'), the drama 'Tovstoshkura' and the pose genres of 'Kolotnecha'. Laureate of numerical awards (Angouleme Festival, Rodolphe Toepffer Prize). Let us go together in rich countries - Spain, Brazil, the United States, Italy, Poland, Germany. At the end of 2021, the thriller “The Hour” (directed by M. Night Sh’yamalan), based on the graphic novel “The Castle” (script by Pierre Oscar Levy) is about to hit the big screen. kohannu i nadiya. Damien Canteau, https://www.comixtrip.fr/

We have read a lot of stories on this topic, but there are none of them. …Peters is unique in his sentimentality, weakness, and importance. A graphic novel becomes a tool for self-examination and growth. … Philippe Lançon, https://www.liberation.fr/

Sometimes you can learn a lesson from what others go through, especially if they show their modesty and poetry. We love each of the characters for their tolerance to the fears of others, they are more accepted, their support (we support you, even if you are sick, we support you, even if you are sick) you can join). … And Peters manages to paint a story that is even destructive and without pathos. ... The power of autobiographical stories lies in the fact that they can entice the reader to re-examine the author. If you read “Black Walks”, you will naturally think: “What would I do if I took his revenge?”... Elodie Chaumette, “Ces livres peuvent changer votre vie”

The author does not fall into the depths of suffering You can smell the licorice. This robot, wholesome and lasting from the beginning to the end, is extremely human and destructive. Frederic Peters's pure graphics miraculously create a unique atmosphere that oscillates between brutal reality (the tearing of a condom) and high poetry (the appearance of a rhinoceros). After reading this marvelous human creation, it’s a matter of nutrition, which is why comics don’t win literary prizes. Antoine Besse, BFMTV.com.