The current issue of the magazine features a three-part composition: ArtDocFest, the Berlinale, and the Oscars. The overall idea is to probe the current momentum, which we observe in the diverse expressions of the authors. Peter Bogdanovich, who recently passed away, appears in this issue as a critic and film historian, complicating readers' acquaintance with this director. Sergei Zenkin's comprehensive study of Antonioni's Blow-Up, postponed for the film's second, but never realized, theatrical release, mobilizes the magazine's ambitions, resources, and invited authors.